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Mellowmuse has been developing innovative audio plugins for musicians, producers and sound designers since 2008. Their focus has always been on sound quality and ease of use.
For the first time, get all of Mellowmuse's plugins in a single bundle and get all the essential compressors, EQs and mixing tools you could need.
CP1A Compressor
CP1A is an audio dynamics compressor plug-in, developed for clean, low distortion processing of a range of material; from subtle dynamics taming to creative drum shaping. It employs a multi-stage feed-forward design to minimise distortion artefacts, even at extreme compression settings. The interface design is clean and functional.
Separate wet and dry level controls allow the compressed signal to be mixed with the original, making New York style parallel compression super easy. The high pass control for the envelope detector allows fine control of low-frequency compression, great for keeping your kick drum from losing its thump.
Features
- Attack: 0.1 - 50 ms.
- Release: 1 - 1000 ms.
- Threshold: 0 to -60 dB.
- Ratio: 1:1 - 20:1.
- Parallel compression via wet and dry controls.
- Variable high pass on envelope detector.
- Low distortion design.
- 64bit internal processing.
Learn more about and download the trial of CP1A Compressor.
CP2V Compressor
The vintage-styled CP2V is a track and program audio dynamics compressor plug-in that oozes character and attitude. With an interface designed with simplicity in mind and multi-stage analogue modelled processing adding smooth saturating harmonics.
You'll find it equally at home smashing drums, taming vocals or enhancing acoustic guitar. Without a doubt, Mellowmuse's 'gooiest' sounding compressor so far!
Features
- Multi-stage analogue modelled compression.
- Output driven saturation.
- VU style compression metering.
- Fixed attack and release times.
- 64-bit internal processing.
- 4x oversampling.
Learn more about and download the trial of CP2V Compressor.
CP3V Compressor
The CP3V is an audio dynamics compressor plug-in, inspired in part by the classic 1176 analogue compressor. The analogue modelled saturation and compression stages combine to add progressively more warmth to the compressed signal at higher levels, while never sounding harsh.
Together with the ultra-fast attack and release time, it offers a wide range of creative compression options that will help your tracks cut through any mix.
Features
- Multi-stage analogue modelled compression.
- Output driven saturation.
- VU style compression metering.
- Variable attack: 0.01 - 100 ms.
- Variable release: 10 - 500 ms.
- Ratios: 4:1, 8:1, 12:1 and 20:1.
- 4x Oversampling.
- 64-bit internal processing.
Learn more about and download the trial of CP3V Compressor.
CS1V Console Channel
CS1V brings the warmth and depth of an analogue console to your tracks and mixes. Drive increases the level of saturation. Tone adjusts pre-amp character; darker and heavier in the low range anti-clockwise, and progressively brighter high-end harmonic boost clockwise. There are two selectable preamp modes: A is darker in character overall, while B has a flatter frequency response.
The default "Channel" mode is intended for mono tracks. When inserted on stereo tracks or aux, the "Buss" setting can be used to add a subtle amount of crosstalk, as in a hardware mixer. Engaging the automatic gain control (AGC) attenuates the output to match the source volume.
The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.
Features
- Variable input drive and preamp tone.
- Phase switch.
- VU metering.
- 4x oversampling.
- Control multiple instance groups.
- 64bit internal processing.
Learn more about and download the trial of CS1V Console Channel.
EQ1A Equalizer
EQ1A is a super smooth, analogue-style equalizer, with minimal phase colouration. It features a high pass filter with variable Q, frequency sweepable low and high shelf filters, and sweepable low and high peak filters with variable Q. A bypass switch is available for each filter section for increased flexibility.
The interface takes its inspiration from classic outboard EQs, with all controls in easy reach. The CPU efficient design allows high instance counts, making it a versatile EQ for all tasks.
Features
- HP: 10hz - 1khz / sweepable Q.
- Low Shelf: 30hz - 500hz.
- Low Mid: 70hz - 2khz / sweepable Q.
- High Mid: 500hz - 6k / sweepable Q.
- High Shelf: 1.5k - 18k.
- Phase switch.
- Output level.
- 64-bit internal processing.
Learn more about EQ1A Equalizer.
EQ2V Equalizer
The EQ2V is a vintage styled equalizer that recreates the weight and colour of its classic hardware counterparts. Harmonic colouration increases with input and eq gain, adding depth and warmth to any material.
The SofTran feature is useful for taming signals with sharp transient peaks like snare and high hats, especially after boosting the highs. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.
Features
- Analogue modelled saturation.
- Transient softener to tame percussive transients.
- Low Shelf: 35hz - 300hz.
- Mid Band: 300hz - 8.0k.
- High Shelf: 8.0k - 16.0k.
- High Pass: 0hz - 400hz.
- Bypass per band.
- Phase switch.
- 4x Oversampled.
- 64bit internal processing.
Learn more about and download the trial of EQ2V Equalizer.
EQ3V Equalizer
The EQ3V is a flexible 7-band vintage equalizer plug-in that offers 5 bands of fully parametric EQ, variable Q High Pass/Low Pass filters, and it's own unique analogue modelled saturation. Perfect for mix or tracking duties where character and precision are key.
Current values are clearly displayed for all parameters, and precise values can be entered. Each EQ section may be individually bypassed. All equalization and saturation algorithms are oversampled, using 64bit internal processing for superior clarity and resolution.
Features
- Analogue modelled saturation.
- 4x Oversampled.
- High Pass: 10hz - 400hz.
- Low Shelf: 30hz - 400hz.
- Low Mid Peaking: 100hz - 1.0k.
- Mid Peaking: 800hz - 5.0k.
- High Mid Peaking: 4.0k - 10.0k.
- High Shelf: 8.0k - 16.0k.
- Low Pass: 8.0k - 20k.
- Bypass per band.
- 64bit internal processing.
Learn more about and download the trial of EQ3V Equalizer.
IR1A Convolver
IR1A Convolver is a convolution plugin that let you apply the sonic characteristics of one sound to another in real-time, using an impulse response file.
It features a high quality, zero-latency convolution engine, capable of reproducing everything from guitar cabinets to lush natural reverbs and special effects. IR length can be set, along with high or low pass filtering, and predelay for creative sound shaping.
The integrated file browser makes it easy to navigate and load IR files including importing external files. It loads standard mono or stereo AIFF or WAV format impulse response files and comes with a starter library of presets.
Features
- CPU efficient zero-latency convolution.
- IRs up to 10 seconds @ 44.1k sample rate.
- External IR file browser.
- Predelay: 0 - 250 ms.
- High and low pass filtering.
- Customisable image previews.
- Phase switch.
- 64-bit internal processing.
Learn more about and download the trial of IR1A Convolver.
LM1V Limiter
LM1V is an analogue modelled brick-wall limiter, with 8x oversampling and inter-sample peak detection. It is able to achieve high loudness levels with a minimum of distortion. Results are always extremely musical.
Separate attack, release and stereo link controls, allow a wide range of settings, from near clipping to smooth limiting, all without excessive pumping or artefacts. While inter-sample peak detection catches overs to keep output levels firmly in place. LM1V is equally at home processing individual tracks as it is on the mix bus.
Features
- Low distortion multi-stage design.
- Inter-sample peak detection.
- Variable attack 0 - 10 ms.
- Variable release 0 - 2 secs.
- Input Gain 0 - 20dB.
- Output ceiling -20 - 0dB.
- Stereo unlink.
- 8x oversampled.
- 64bit internal processing.
Learn more about and download the trial of LM1V Limiter.
SATV Saturator
SATV is an analogue modelled saturation plug-in that adds harmonic depth and richness to any track. Equally suited to individual instruments or multi-track drum kits, SATV allows you to effortlessly change the harmonic content and dynamics of your whole mix.
The four selectable saturation models: Transistor, Transformer, Tube and Tape allow a wide range of sound-shaping options, from subtle warming to extreme crunch. The Group control allows all instances with the same number to be controlled as a group, making ensemble changes easy.
Features
- Four unique analogue modelled saturation modes.
- Variable input drive, mix and output.
- Control multiple instance groups.
- Phase switch.
- 4x oversampling.
- 64bit internal processing.
Learn more about and download the trial of SATV Saturator.
ATA Auto Time Adjuster
Auto time adjuster is a plugin delay compensation (PDC) plugin, originally designed for use in Pro Tools LE 7 & 8 (RTAS), as they lacked built-in PDC. ATA continues to be a useful tool with newer versions of ProTools (9+/AAX) that include PDC, as users can benefit from the large latency limit (50,000 samples), and the increased accuracy of measuring plugin latency directly (including outboard), rather than relying on the values reported by plugins.
ATA is inserted on each track in your mix. The actual latency of all plugin and outboard inserts is then measured using a short burst of audio, or 'ping' triggered from the ATA inserted on the master fader. ATA then calculates and sets appropriate delays for each ATA on each track or bus, bringing all tracks into alignment and providing the tightest timing possible.
Features
- Ping based delay compensation.
- Works with software and hardware inserts.
- Lock individual ATAs.
- Manual latency entry.
- Group delay preview in PT mixer.
- Large latency limit of (50,000 samples).
- Increased timing accuracy by measuring latency directly.
- Outboard insert support.
Learn more about and download the trial of ATA Auto Time Adjuster.
System Requirements
- Windows 10 or above
- Mac OSX 10.9 or above
- 64-bit only
- VST, VST3, AU and AAX
Important Note: ATA Auto Time Adjuster is only available as an AAX and is only compatible with newer versions of ProTools (9 and above).
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