Softube Volume 6 Plugin Bundle (Upgrade from Volume 2)

Outstanding sound, supreme value.

Volume 6 Plugin Collection is an investment in your craft. It features thoughtfully chosen, exquisite-sounding tools created with industry titans such as Weiss, Summit Audio, Drawmer, Marshall, and more.

The included plugins will empower you to do your finest mixing and mastering. Address all your studio needs and execute every aspect of your production process with impeccable sound quality with Volume 6.

Important Note: This is the Softube Volume 6 Plugin Bundle (Upgrade from Volume 2). The following versions are also available:

• Softube Volume 6 Plugin Bundle
• Softube Volume 6 Plugin Bundle (Upgrade from Volume 1)
• Softube Volume 6 Plugin Bundle (Upgrade from Volume 3)
• Softube Volume 6 Plugin Bundle (Upgrade from Volume 4)
• Softube Volume 6 Plugin Bundle (Upgrade from Volume 5)

FET Compressor MK II

A Ground-Up Remake Of An Eternal Favorite

Launched as the "fastest compressor in the world" with a 20-microsecond attack time, the classic hardware Softube-modeled FET Compressor Mk II on is exceedingly popular and heard on countless hit recordings. With a FET gain reduction stage, Class A solid-state amplifiers, input and output transformers, beloved aggression, and tasty distortion, it's easy to see why. The FET Compressor Mk II keeps that original sound and character while supporting a DAW-based workflow. There may be more than 1176 emulations of this compressor on the market, but only their meticulously remodeled FET Compressor Mk II features Softube sound quality, extra features, and added control.  

• A complete and expertly executed remodel of one of the most popular analog compressors in the world
• Perfect for vocals, drums, and other sources that require considerable compression
• Added modern features, such as Drive, Stereo Link, a Sidechain section, a High Frequency Make-up feature, and Dry/Wet
• Authentically modeled All-buttons-in mode, or British mode

Learn more about FET Compressor MK II.

OPTO Compressor

A Prime Compressor, Optimized For Modern Times

The hardware Softube modeled OPTO Compressor on is lauded as the most classic compressor. It's well-known for its nuanced tube character and how it delicately enhances the fainter parts of a performance in a natural-sounding way. While the warm and smooth tones remain, OPTO Compressor offers some crucial, new DAW-friendly features.

Their OPTO Compressor plug-in ensures that you get the legendary magic of the early-60s T4 Opto Cell original, plus the added control and flexibility of a modern mixing and production workflow. All with Softube-quality sound.

• An expert emulation of the most classic analog compressor in the world
• Renowned for its warmth, smoothness, and ability to add character to the sound
• Added modern features, such as Drive, Stereo Link, a Sidechain section, the High Frequency Make-up feature, and Dry/Wet
• Authentically modeled subtle tube distortion character

Learn more about Opto Compressor.

VCA Compressor

Punchy Sound That’s Always In Style

Quirky and characterful, the legendary hardware Softube used to model their VCA Compressor is unique and highly acclaimed. Much of that is owed to its famed hard knee compression curve and the harmonic content it adds in the gain stages.

They left the grabby, vintage character and unique attributes—such as RMS level detection and feed-forward gain reduction—intact but gave VCA Compressor a slate of modern features for mixing and production. The combination delivers snap and sheen in spades, plus superior Softube sound quality and an enhanced workflow.

• An authentic emulation of a must-have compressor and its signature snappy sound
• Great for easily adding warmth, weight, and glue to your bass, guitars, and vocals, for getting aggressive, snappy snares or blown-up room channels
• Added modern features, such as Drive, a Sidechain section, Stereo Link, a High Frequency Make-up feature, and Dry/Wet

Learn more about VCA Compressor.

Amp Room: Vintage Suite

Timeless Guitar Tones For Any Production

Amp Room Vintage Suite is ideal for productions that require eternal guitar tones. The included vintage hardware sims deliver everything needed for pop or rock productions with vibes from retro to modern. Vintage Suite comes with four timeless amps from the US and the UK.

Learn more about Amp Room: Vintage Suite.

Amp Room: Metal Suite

In-Your-Face Tones For Heavy Productions

Amp Room Metal Suite is everything you need for epically heavy productions. Key pieces of kit include the Vildsint 50W 6L6, the Higain 100W 6L6, the American Mainstayer 100W, and the Marshall JCM800 Lead Series amps, with pedals, cabinets, and effects to round out this robust and raucous collection.

Learn more about Amp Room: Metal Suite.

Amp Room: Bass Suite

Record-Ready, Low-End Tones

Get album-ready bass tones for everything from vintage ‘60s & ‘70s vibes to modern chart music and the heaviest distorted metal. Amp Room Bass Suite includes expertly modeled amps like Bass Standard Line V8, Supernova Parallel Channel 300W, and The Cardinal 100W. 

Learn more about Amp Room: Bass Suite.

Amp Room: Marshall Suite

Your All-Access Pass To The Marshall Sound

Amp Room Marshall Suite lets you load the sound, soul, and heritage of Marshall Amplification into the Amp Room platform. Marshall Suite features officially licensed and absolutely iconic amps like Plexi Super Lead 1959, Silver Jubilee 2555, JMP 2203, Bluesbreaker 1962, and JCM800 Lead Series. Also included are Marshall cabinets with moveable microphones, well-known pedals like the Guv’nor, and studio effects.

Learn more Amp Room: Marshall Suite.

Model 84 Polyphonic Synthesizer (New)

The Resurrection of a Polyphonic Icon

• An 80s-era icon of polyphonic synthesizing faithfully emulated through circuit modelling on a component level.
• The true-to-the-original sound and unique features of the revered hardware—such as two poly modes with proper voice allocation—plus fresh innovations.
• Three versions included: instrument, a chorus for Amp Room, and seven modules for Modular.

The year is 1984. Splashing down is a majorly righteous polyphonic synthesizer that will go on to outrun its era. Thirty-odd years later, Softube are still vibing on the gnarly Synthwave reverberations this paragon can produce. Used on countless records by innumerable artists, it’s a six-voice synth that set a standard and established a sound. Now it’s time to discover what it can do in the DAW.

Learn more about Model 84 Polyphonic Synthesizer.

Dirty Tape (New)

Instant lo-fi Modulation & Distortion

From the Swedish distortion masters and makers of the acclaimed Tape, Tape Echoes, Harmonics, and Saturation Knob plug-ins comes Dirty Tape. The tape effect you need when you want to get down and dirty and keep the sound quality savage.

Dirty Tape gives you warm, analogue vibes from the moment you load it on a track. Capable of fiercely gritty distortion and saturation, Dirty Tape can also add subtle texture and movement to a sound. Like a photo filter for your tracks, Dirty Tape will take you from static and dull to lively and colourful in a snap.

Learn more about Dirty Tape.

Wasted Space (New)

Perfectly Imperfect lo-fi Reverb

• Instant, extreme lo-fi digital reverb for creative production and sound design
• Authentic aliasing artifacts and distortion with Softube-quality sound and workflow
• Three versions included: the native plug-in, the Modular module, and the Amp Room module

Learn more about Wasted Space.

British Class A (New)

Classic British sound, unbuttoned.

The British Console Sound is famous. You can hear its sweet and musical quality on hit records spanning more than five decades from artists such as Queen, Nirvana, David Bowie, and the Red Hot Chili Peppers. When mix engineers need this unmistakable body, depth, and silky sweet top-end on individual tracks and busses, the British Class A channel strip is the one to grab.

• Authentic, unmistakable British console character
• A precisely emulated channel strip with added flexibility
• Four versions included: British Class A plug-in, British Class A for Console 1, British Class A for Amp Room, and British Class A for Modular

Learn more about British Class A.

Weiss EQ MP

Developed through the thriving partnership between Softube and Weiss Engineering, the Weiss EQ MP is an equalizer honed for professional-grade use. Built on the minimum phase algorithm of the legendary Weiss EQ1, Softube designed EQ MP for exacting mixing applications that necessitate a surgical EQ and sound quality that’s a cut above the rest. With seven bands, just like the acclaimed EQ1, Weiss EQ MP gives you that famous EQ1 transparency coupled with the sharpest accuracy possible. Achieve stunning clarity in your mixes with Weiss EQ MP, the sonic surgeon with the golden bands.

The Weiss EQ1 is undoubtedly the standard for mastering engineers the world over. And when you can sample from the best, you damn well do so. Weiss EQ MP is based on the minimum phase algorithm of Weiss EQ1 and boasts some of the same features. Both can do it all, but Softube sharpened EQ MP for the mixing specialist.

• Based on a 1:1 code port of the minimum phase algorithm of Weiss EQ1.
• A surgically-precise, ultra-transparent, high-fidelity EQ workhorse.
• Optimized for big mix sessions with low latency and a light CPU load.

Learn more about Weiss EQ MP.

Statement Lead

When inspiration strikes and your new hit song begins to take shape, it feels like magic. The trick is finding that inspiration in the first place, and it also helps a lot if you have an easy way to transport your ideas from inside your head to a flawless recording that you can share with the world.

Statement Lead is a state-of-the-art, user-friendly synth designed with the contemporary producer and songwriter in mind. With carefully recorded and processed sound sources from rare and expensive synths and built-in effects of the highest quality, and modules for the endlessly expandable Eurorack modular synth Modular, Statement inspires you to make a statement. This is the lead synth you need to create hit songs that sound polished and finished with no complications along the way.

• The synth for contemporary lead sounds, perfect for music production and songwriting.
• Phenomenal sound quality and analogue feel from careful recordings of rare, expensive hardware synths and built-in Softube effects.
• The intuitive user interface and the presets make it easy to get started, resulting in polished sounds in no time.
• Modular Ready: works as a native instrument plug-in and as modules in Modular, Softube's Eurorack platform.

Learn more about Statement Lead.

Acoustic Feedback

Screaming guitar feedback in the box! One thing that is really hard to achieve with a guitar amplifier simulation plug-in or hardware is the interaction in a room between the guitar and an amplifier turned up loud. Enter Acoustic Feedback - because this plug-in does precisely that. Whether you just want single notes to keep hanging a little longer and gently fade to sustained feedback or you want instant and rampant howls for your noise rock, Acoustic Feedback is your friend.

• Realistic simulation (physical modelling) of guitar feedback.
• Fully responsive to vibratos, bends, slides, tremolos etc
• Simple user interface: Control amount of feedback with the Feedback knob, and the sensitivity with the Tolerance switch.
• Compatible with MIDI foot controls

Learn more about Acoustic Feedback.

American Class A

Gut-busting drums. Crackling, searing, face-melting guitars. Meaty, punching bass. Rich, up-front vocals. Wide-open, airy, living electronics. If you will it, it is no dream with the American Class A. Based on the greatest classics of American mixing console hardware, this channel strip is fast and easy to work with and brings a truckload of character to the party.

With a shape section featuring gate and transient designing, a stellar four-band EQ with proportional Q and range control, a fascinating compressor design that can be switched between feedback and feedforward operations, and a warm, crunchy output drive section, no modern studio is complete until this sonic option is at hand.

• Characteristic stepped EQ with proportional Q values. Gives bold boosts and clean cuts.
• Unique compressor design, which can operate in feedback or feedforward topologies.
• Shape section has both gate and transient shaper, with all the same tasty analogue sound of the strip’s circuitry.
• Crunchy drive from the output stage, with controllable character.

Learn more about American Class A.

Drawmer S73 Intelligent Master Processor

Drawmer S73 features an enhanced multi-band compressor sound design, fine-tuned to improve your mix with a minimum of tweaking. The S73 does most of the job for you by making the choices a mastering engineer would make. Simply use the Style parameter to switch between ready-made mastering processing techniques to quickly find the sound that suits your mix the best.

Under the hood, the S73 is based on technology created by Drawmer for the 1973 Three Band FET Stereo Compressor. This is an award-winning multi-band analogue compressor design famous for its precision and flexibility. Softube has carefully modelled all the characteristics of the original analogue hardware, and have taken the concept a step further by adding mastering sound design to create the Drawmer S73 IMP. The unit offers the perfect way to balance and shape your mix and get great analogue sound in no time.

• Built-in mastering processing techniques
• Great Drawmer compressor analogue sound
• Parallel compression

Learn more about Drawmer S73 Intelligent Master Processor.

Fix Flanger & Doubler

The Fix Flanger is versatility personified—this flanger is capable of both classic guitar pedal style flanging with an automatically swept flange as well as direct interaction in the manual mode. A VSO mode features unprecedented hands-on control with emulated servo motor bounce and true cross zero flanging, just like a tape machine. Added features such as tap tempo sweep, unique stereo widening methods and selectable delay polarity makes the Fix Flanger the swiss army knife of flangers.

• Fix Flanger delivers the sound of classic flanging, with extreme control and flexibility
• Unprecedented hands-on VSO flange control, with servo motor bounce emulation
• Fix Doubler provides lush chorus and rich textures to your vocals
• 'Auto Double' uses a unique method of accurate phase-cancellation to make a natural-sounding doubler effect

Learn more about Fix Flanger and Doubler.

Fix Phaser

No single phaser could please Paul Wolff. He wanted them all in one. All the stages, the sweeps, the tones. From the mind of Paul Wolff, here is the Fix Phaser.

• Lush vintage phasing sound in a modern plugin package.
• Wide and versatile feature set.
• Mix knob allows blending of wet and dry signals to taste.
• Create stereo soundscapes out of mono sources.
• Generate subtle movement in flat or dull-sounding instruments.
• Out-of-this-world whooshing effects.

Learn more about Fix Phaser.

Harmonics

Guitars, vocals, drums, bass, even synths often need some extra grunt to push them over the edge, but distortion can destroy dynamics and cause more problems than it solves. Too little and your sound doesn’t cut through and fill its space. Too much and you lose the light and shade, the attack and decay. Transients blend into tails, and detail and definition go out the window.

• Five genuinely different component-modelled distortion sounds
• Revolutionary ‘Dynamic Transient Control’ technology
• ‘Amount’ knob to control the amount of saturation
• ‘Character’ knob controls the tone or colour of the distortion
• High and low cut filters can be placed before or after distortion
• Wet/dry blend knob for parallel processing
• THD meter allows fine control of subtle saturation

Learn more about Harmonics.

Heartbeat

Classic drum synthesis is back with a vengeance! Flexible and tweakable—Heartbeat is your source for familiar, yet unique, drum machine sounds. Use the built-in effects and the innovative Auto Layer Machine to take your beats to unexpected places. Or use Heartbeat's instrument and EQ modules in Modular. 

• Eight channels of drum sounds, mostly based on modelled analogue synthesis.
• Mixer with volume, EQ, effect sends and panning for each channel.
• Four-channel Auto Layer Machine for layering sounds or triggering beat patterns.
• Chaos slider adds randomness to the behaviour of Auto Layer Machine.

Learn more about Heartbeat.

Modular

To beginners, a modular synthesizer can be daunting at first. But Modular offers a wide range of expertly designed presets, immediately available to be put to use in your music. When you are ready to learn more about patching a Eurorack synth, the manual offers step-by-step patching tutorials that go hand in hand with the included tutorial presets.

• Modular is a cross-platform modular synthesizer plug-in standard, which features authorized emulations of modules from well-known hardware Eurorack brands.
• True dynamic circuit-emulation—looks, functions and sounds like its hardware counterparts.
• Basic system contains six Doepfer modules (A-110-1 VCO, A-108 VCF, A-132-3 Dual VCA, A-140 ADSR, A-118 Noise/Random, A-147 VCLFO).
• Basic system also contains over 20 Utility modules (such as MIDI to CV/gate, mixers, slew, sample & hold, switches, multiples, delay, offset, sequencers, clock dividers, logic and signal tools, as well as a Polyphonic MIDI to CV/gate module).
• Additional authorized emulations from Intellijel is available as add-ons (uFold II, Korgasmatron II, Rubicon). Many more modules from other quality hardware Eurorack vendors to be released.

Learn more about Modular.

Monoment Bass

In the modern-day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.

• Super-high-quality bass synth with stereo source sounds from top-end boutique hardware.
• Blend noise with two different sources at once for a textured and highly complex sound.
• Professional presets from Madison Mars, Vandalism, Sample Tools by Cr2, WA production, Black Octopus, and Function Loops.
• A heavy focus on modern bass sounds makes this the perfect addition to the forward-thinking studio.
• Fills a soundstage with domineering weight and power, yet easy to mix thanks to dedicated effects.

Learn more about Monoment Bass.

OTO Biscuit 8-bit Effects

Initially introduced in hardware in the late 00’s, the French-made OTO Biscuit quickly became a cult classic with DJs and electronic music producers around the world. Gritty bit-crushing, lo-fi multi-effects, a sweet and smooth analogue filter, and a quality look and feel, made it a go-to awesome-sound-maker in clubs and studios alike.

• Lo-fi 8-bit magic in a fun and easy-to-use package.
• Take control on a bit-by-bit level.
• Slow the sample rate and hear that aliasing glitter fall.
• Smooth analogue filter.
• Built-in digital effects – waveshaping, delay, pitch-shifting.
• 8-step sequencer to drive the filter.
• Very distinctive sound, but good for many styles.
• Turn any run-of-the-mill electronic track into a vibrant classic.

Learn more about OTO Biscuit 8-bit Effects.

Parallels

In Stockholm, Sweden, there’s a synth emporium like no other – a store with such vibrancy, such range, such colour, that you’d need a dozen eyes and ears to take it all in. And the guy who runs it is no ordinary guy. He’s special, in all the best ways. His imagination fizzes and crackles with delight at the sounds of a million billion sparkling circuit boards.

• A plug-in soft-synth with dual wave scanning source sections
• Almost a hundred high-quality pre-recorded multi-waveforms
• Sonic progression within each waveform means near-infinite source-material
• Two parallel sources mean blended sounds, opening up exponentially more possibilities
• Up to fourteen voices (seven per source when both sources are active)
• Hundreds of expertly-created preset from world-leading synth artists, engineers, and sound designers, including Brian Transeau a.k.a. BT, Richard Devine, Inhalt, and more.
• Three analogue-modelled filter types (state-variable, vactrol LPG, and resonant peaks)
• Five sophisticated types of modulation source; LFO, random, Euclidian sequencer, step sequencer, and envelope
• Five top-quality effects options; distortion, chorus, flanger, delay, and reverb

Learn more about Parallels.

Passive-Active Pack

The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer combines these with analogue sounding saturation and a novel workflow.

• Inspiring, untraditional and very useful workflow.
• Choose between Passive or Active EQ character.
• Three-band EQ that automatically and musically changes with Low and High Cut.
• Built-in one-knob saturation with metering and selectable saturation type.

Learn more about Passive-Active Pack.

Saturation Knob

Saturation Knob is a modelled output distortion that can be used anywhere you need some grit. Use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy your drum loop.

The three modes, Keep High, Neutral and Keep Low give you three kinds of characters of distortion. If you want to squash a drum loop but keep the bass drum fairly intact, you can, for example, use the Keep Low mode.

Spring Reverb

Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual springs around for those thunderous spring effects. Get some recognizable character in your mix with the Spring Reverb!

It can add a lot of personality and character to a vocal track, a snare drum, percussion, an electric organ or just about anything. It's very much a sound of its own and it will help set your mix apart from the rest.

• Tension control to shape the spring character and reverb length.
• The number of spring pairs are continuously adjustable from 1 to 3.
• Tube driver simulation with Bass and Treble in the reverb section.
• Shake control that shakes the springs around.
• Can be used both as a send and an insert effect.
• Very CPU friendly.

Learn more about Spring Reverb.

Summit Audio EQF-100 Full Range Equalizer

The Summit Audio EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix. The EQF-100 is equally suitable for separate tracks as across subgroups or the entire stereo buss.

• Smooth sound and flexible operation.
• Modelled output stage distortion.
• Four fully parametric bands of equalisation with fixed frequency bands.
• High and low filters can be switched from bell to shelf.
• Three-position low and high cut filters.
• Each and every component carefully modelled.

Learn more about Summit Audio EQF-100 Full Range Equalizer.

Summit Audio Grand Channel

Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Summit Audio Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs.

The Grand Channel combines the warm and smooth tone sculpting Summit Audio EQF-100 Full Range Equalizer with the rich sounding and dead-easy-to-use Summit Audio TLA-100A Compressor. Having the two combined in a single plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.

• Flexible and easy to use with a huge sonic range.
• Individual bypass for each of the two units saves CPU power.
• Change the order of the equalizer and compressor with a single switch.
• Each and every component carefully modelled.
• Extremely analogue behaviour of frequencies, phase, distortion, attack, release, etc.

Learn more about Summit Audio Grand Channel.

Summit Audio TLA-100A Compressor

The Summit Audio TLA-100A works in a program dependent manner, meaning it does a lot of the thinking for you. It's tremendously easy to use and basically impossible to make it sound bad. It will, however, give you some soft and warm distortion if you drive it really hard. For ease of use, Softubes TLA-100A plug-in has a Saturation knob that the original unit lacks. This lets you blend in just the right amount of distortion to your signal.

• Controls your audio dynamics with mild authority.
• Easy to use.
• Built-in parallel compression and detector filtering (Low Cut filter switchable to signal input).
• Each and every component carefully modelled.
• Modelled output distortion, easily controlled with the Saturation knob.
• Extremely analogue behaviour of frequencies, phase, distortion, attack, release, etc.
• Softube makes the only Summit Audio plug-ins.

Learn more about Summit Audio TLA-100A Compressor.

Tape

Time to get reel! Softube's Tape plug-in adds cohesion and weight to your mixes. But Tape goes far beyond your average tape machine emulation. It includes three distinctly different tape machine types, and it offers the ease of use and low CPU strain that today's music creators rightfully expect. 

• Realistic analogue tape sound.
• Three tape machine types included.
• Easy to use.
• Low CPU usage.
• Includes Tape Multitrack which can be used in the MixFX slot of Presonus Studio One—adding individual channel crosstalk and single interface control of all tracks.

Learn more about Tape.

Transient Shaper

Being able to control the attack and decay of a sound is tremendously useful for anyone mixing music. But Softube's Transient Shaper goes beyond that due to the fact that it's a dual-band processor. This means that the user can set it to affect only the treble or bass portion of a sound—separately for the Sustain and Punch parameters—and leave the rest untouched. This opens up a new realm of possibilities.

• Dual-band transient processing tool.
• Add or reduce punch and/or sustain from any sound.
• Affect either the whole frequency spectrum, only the high frequencies or only the low frequencies.
• User-selectable crossover frequency.
• Clip section adds output distortion.

Learn more about Transient Shaper.

Trident A-Range

It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analogue gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.

• EQ with a will of its own.
• Created together with original designer Professor Malcolm Toft.
• Each and every component carefully modelled.
• Saturation control.
• Very CPU friendly.

Learn more about Trident A-Range.

TSAR-1 Reverb

The TSAR-1 Reverb is not an emulation. It's not a stock design. It's not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It's alive and vibrant, it's gentle and dreamy, and above all - it's natural and believable. The TSAR-1 is the better-sounding alternative to the established, traditional reverb products. At a fraction of the price.

• True Stereo Algorithm.
• Extraordinary versatility.
• Comprehensive user interface.
• Modern and powerful high-end reverb.
• Extensive preset library.
• Predelay as a rhythmic effect or to carefully match the tail with the early reflections.
• Time Longer or shorter reverb tail. Where do you want to go today?
• Density Smooth, modern and dense, or sparse, lush and vintage.

Learn more about TSAR-1 Reverb.

TSAR-1R Reverb

TSAR-1R Reverb is the little sibling of the more adjustable TSAR-1 Reverb. They share exactly the same high-end reverb algorithm, but TSAR-1R offers extreme ease of use for a fast and intuitive workflow.

Essentially, TSAR-1R is operated with a single control - the Time slider. Add depth and dimension to any sound with short and controlled room sounds, or slide it up towards hall settings for large, dramatic spaces. It really is as easy as that, and it always sounds stellar.

• Pre-delay - Perfect for getting that small gap between the vocals and the reverb tail.
• Time - One fader to rule them all. Time control changes the Density, Diffusion, Early Reflections, Reverb Time, etc. Almost like a continuous swipe through all the best presets. 
• Colour - Need a bright or a dark reverb?
• True Stereo Algorithm - Same as in TSAR-1 Reverb.
• Extremely easy to use.
• Modern and powerful high-end Reverb.

Fast and easy, yet powerful. Apart from Mix and Volume, there are only three parameters in TSAR-1R. Don't let that fool you though, it has never before been this easy to dial in a great reverb sound.

Learn more about TSAR-1R Reverb.

Tube Delay

A tasty echo effect that can go from clean to rude by overdriving its three modelled tube stages. Create anything from realistic room echoes to rockabilly style slap backs, or take it all the way into dub reggae echo madness.

A slightly dark and distorted delay has a way of giving a great sense of space and size to a mix without really drawing attention to itself. So that's where Softube's Tube Delay gets in the picture.

• 1-1000 ms delay
• Sync tempo to host
• Vintage style passive EQ
• Gritty feedback feature
• Tube preamp simulation

Learn more about Tube Delay.

Weiss MM-1 Mastering Maximizer

Based on the legendary Weiss DS1-MK3, the centrepiece of mastering studios the world over (and also now available as a Softube plug-in), the future of fast and professional mix maximizing is now here - the MM-1 Mastering Maximizer.

Featuring the very same algorithms as the original digital hardware unit, the MM-1 offers five flavours of limiting; Transparent, Loud, Punch, Wide, and De-ess; intelligently progressing as the ‘amount’ knob turns, and blendable with the mix control, to give users precisely the right amount of power over the feel of their masters.

Crucial to this plug-in is that it can’t sound bad - the intelligent processes happening under the hood as the amount knob turns; the filtering, compression, de-essing, and so on; have been carefully designed by highly experienced mastering engineers using the industry-standard DS1-MK3 as a foundation.

And there’s no better mastering limiter out there. This product allows users to get their mixes exactly as loud as they want, with exactly the sound they want, without sacrificing dynamics and musicality.

• Simple interface controlling detailed expert mastering processes.
• Five ‘flavours’ of limiting available.
• Contains the very same technology as the legendary hardware mastering processor, the Weiss MM-1.
• Fully licensed and endorsed by Daniel Weiss himself.
• Great for maximizing your mix-bus quickly and effectively.
• Go as loud as you want; louder than any other product out there; without sacrificing desirable tone and dynamics.
• Impossible to get it wrong. Be the master of your own masters!

Learn more about Weiss MM-1 Mastering Maximizer.

System Requirements

• macOS Big Sur 11, Monterey 12, Ventura 13
• Windows 10 (64-bit), Windows 11
• Softube account
• iLok account
• Computer with AU, VST, VST3, and/or AAX-compatible DAW host software
• Internet access (for downloading installers and managing licenses)

Supported CPU Families 

• Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Apple silicon is supported natively. 
• Windows computers with quad-core Intel Core i3/i5/i7 or AMD quad-core processors with SSE 4.2 support.
• Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions. 

Important Note: Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com​