UAD Studio Classics Bundle

The UAD Studio Classics bundle offers a collection of iconic audio plug-ins, each faithfully reproducing the distinct analog warmth and character of classic studio hardware.

This bundle features five legendary tools:

• Fairchild Tube Limiter Collection
• 175B & 176 Tube Compressor Collection
• LA-6176 Signature Channel Strip
• Lexicon 224 Digital Reverb
• Ampex ATR-102 Mastering Tape Recorder

Together, they bring the unmistakable quality of classic analog processing to digital production, giving your tracks that renowned vintage feel while providing flexible control over dynamics, tone, and reverb.

From the classic tube warmth of the Fairchild Limiters and 175B/176 Compressors to the lush reverb of the Lexicon 224 and the authentic tape warmth of the Ampex ATR-102, the UAD Studio Classics bundle gives you with all the essential tools to elevate your mixes. Each plug-in is meticulously crafted to emulate the original hardware, with added features like advanced sidechaining, parallel processing, and artist presets to streamline your workflow.

Perfect for producers seeking the warmth and richness of analog, the Studio Classics Bundle brings the best of vintage audio engineering directly to your DAW.

Fairchild Tube Limiter Collection

Get The Rich Sound Of The World's Most Famous Compressors

The Fairchild Tube Limiter Collection gives you the silky warm compression heard on hundreds of hit records from The Beatles and Pink Floyd to countless Motown classics.* Now you can add the same analog "glow" to your vocals, drums, and entire mix with the most accurate plug-in emulations ever made of these one-of-a-kind tube compressors.

The World’s Most Coveted Compressor

The first Fairchild limiter that audio genius Rein Narma created on Les Paul’s kitchen table transformed recording forever. Soon, these 20-tube, 14-transformer, 67-pound behemoths resided in world-class studios, many of which still employ their vintage Fairchilds. For a half-century, the Fairchild 670 — and its aggressive little brother, the Fairchild 660 — have defined popular music’s most revered vocal and drum sounds. In fact, the world’s elite mixers often employ a 670 simply for the “glow” it brings to their final mixes, even without compression happening.

The Closest You Can Get to Vintage Fairchilds in a Plug-In

In 2004, Universal Audio released the Fairchild 670 Legacy plug-in, which was quickly heralded as the best 670 emulation available. Today, UA’s team of DSP experts have improved the original Time Constants and gain reduction curves, while modeling — for the first time ever — the complete tube-powered amplifier and transformer sections of their hardware counterparts. Far beyond other Fairchild emulations, only the new UAD Fairchild Collection is based on an accurate circuit models of Ocean Way Studios' “golden-reference” units.

New Features — Classic Tones

Although the Fairchild Tube Limiter Plug-In Collection nails the classic sonics of yesteryear, it also sports useful new features for modern workflows.

Blend Sounds with the Wet/Dry Mix Control

A Parallel Mix control lets you blend your unprocessed signal with the compressed signal, opening worlds of textural possibilities on everything from a drum bus to a mix bus.

Enhance Drums with Sidechain Filters

By using the Fairchild’s Sidechain Filtering, you gain another level of control over your tracks. Use it to punch up the drum bus to enhance its impact without triggering the threshold of the compressor with the kick drum.

Add Grit with the Headroom Control

The Headroom (HR) control can be increased to make mastering applications a breeze, raising the gain reduction threshold and lowering distortion. Conversely, you can decrease headroom, lowering the gain reduction threshold and raising distortion for grittier textures that work on everything from vocals and drums to guitar and bass.

The Ultimate Companion to the LA-2A & 1176 Collections

Combined with the Electro-Optical (LA-2A) and FET-based (1176) compressor plug-ins, the Fairchild’s unique tube-driven sound completes the compression “Triple Crown.” Renowned for its aggressive power on piano, bass, and guitar, the 660 is a stereo/mono version of the original mono compressor, while the flagship 670 is a full stereo compressor that can inject vibe and color into tracks or add the final touch to mixes.

Features

• Use any audio interface, with both UAD Native and Apollo Realtime/UAD-2 versions included
• Give your tracks and mixes classic Fairchild tube warmth and character
• Add harmonics and punch to vocals, drums, and more using Fairchild’s tube-driven gain control and transformer sections
• Control your compression easily with simple Wet/Dry, Sidechain Filter, and Headroom controls
• Enjoy the only accurate emulations of “golden-reference” vintage Fairchilds from OceanWay Studios

Learn more about Fairchild Tube Limiter Collection.

175B & 176 Tube Compressor Collection

Introduced in the early 1960s, Universal Audio's 175B™ and 176™ compressors were the first audio compressors purpose-built for studio recording and mixing music. Often cited among the crowning achievements of audio pioneer and UA founder Bill Putnam Sr., the 175B and 176 are prized for their rich tube gain reduction character, fast attack, and sonic flexibility.

With only roughly 1,000 units made, vintage 175B and 176s easily command well over $5,000 on the vintage market today, and they can be found in the racks of some of the world's finest studios. Now, you can track and mix with the only authentic plug-in emulation of the original UA 175B and 176 compressors.

A Pioneering Limiter

With its breakthrough fast attack time and independently variable Attack and Release controls, the UA 175B and 176 went far beyond all previously available broadcast limiters. They were quickly installed in the early 1960's at both United/Western and legendary Sunset Sound studios, where a rack of 176s still reside today. As an all-tube predecessor to the famed 1176, the 175B and 176 compressors have lent warmth and character to thousands of seminal recordings — from the Rolling Stones and Elton John, to Led Zeppelin, Van Halen, Aretha Franklin, and Miles Davis.

Emulating a Masterpiece

Based on a pair of UA's 1960s golden units, the UA 175B and 176 Tube Compressor Collection plug-ins expertly capture Putnam’s tube-based gain reduction designs, as well as the tube amplifier's ultra-musical harmonics and rich, low-frequency transformer saturation. Putnam’s feedback compression circuit is key to the 175B/176 mojo, yielding softer compression at lower input levels and harder, nearly brickwall limiting at higher levels.

All-Around Champ

Sonically, the 175B and 176 compressors are often compared favorably to a Fairchild compressor, albeit with more versatile controls. As such, they're perfect for vocals, drums, guitars, and more. The UA 175B and 176 Tube Compressor Collection plug-ins give you all the character and juice of the originals — indistinguishable from the target hardware in blind listening tests.

In Action

Delicate when you need subtle control, but colorful when slammed, these plug-ins can add depth to room mics or a drum bus, give your guitars definition, park a bass in a mix, and inject vocals with energy. You can even turn off the compression completely and use the 175B/176 plug-ins as a "tone box," lending rich tube amplifier and transformer textures galore.

Features

• Painstaking circuit emulation of Bill Putnam Sr.'s rare and iconic 175B and 176 tube compressors
• Models the entire circuit path and control set of the original hardware units
• UA 175B features a fixed 12:1 Ratio, 176 features four selectable Ratios: 2:1, 4:1, 8:1 and 12:1
• Exclusive plug-in features include Sidechain Link, Dry/Wet Mix parallel processing and Headroom for user-customizable operating level
• Includes artist presets from Jacquire King (Kings of Leon, Tom Waits), Carl Glanville (U2, Bruce Springsteen), Joe Chiccarelli (My Morning Jacket, Beck), and more

Learn more about 175B & 176 Tube Compressor Collection.

LA-6176 Signature Channel Strip

The analog channel strip of your dreams

Experience Universal Audio’s 70+ year analog heritage with a supercharged plug-in version of their flagship tube channel strip, the 6176. The new LA-6176 Signature Channel Strip plug-in gives you three iconic UA products in one: the 610 mic preamp, the 1176 Limiting Amplifier, and the LA-2A Leveling Amplifier.

Released in 2004, the hand-built 6176 has been the channel strip to stars including Coldplay, Adele, and Pharrell. Now you can get an entirely new UAD channel strip that puts decades of classic and modern vocal, guitar, drum, and bass sounds at the flip of a switch. 

Features

• Record and mix with three of the most historically-significant pieces of analog gear ever made, in one elegant channel strip 
• Get the smooth harmonics and rich overdrive of a vintage UA 610 tube preamp on vocals and instruments
• Instantly get the famous punch of the 1176, or the smooth warmth of an LA-2A, at the flip of a switch 
• Record in realtime with Apollo interfaces, putting three legendary processors in a single Unison slot

Plug in to the World’s Most Famous Tube Preamp

Bill Putnam’s 610 Modular Amplifier preamp was a milestone in audio history, introduced in the 1960’s and used to record everyone from the Beach Boys, Ray Charles, and Johnny Cash to Coldplay and Adele. The LA-6176 plug-in features the modern 610-B circuit, giving you even deeper EQ controls for adding rich tube sound that works on everything. 

Get the Legendary Punch of an 1176LN Limiter

The 6176 hardware is the first channel strip to pair the iconic 610 tube preamp with classic 1176 Limiting Amplifier. The 1176 is the compressor that defined decades of popular rock and pop music, from Led Zeppelin to Bob Marley to Beyonce. Its FET-based circuit delivers ultra fast response to guitar, bass, and drum transients making your tracks pop through the speakers. 

Add Smooth LA-2A Tube Compression

Borrowing from UA’s LA-610 MkII hardware channel strip, the LA-6176 plug-in packs iconic optical compression at the flip of a switch. In LA-2A mode, you’ll get the same silky compression heard on classic vocal and instrument recordings for over 60 years. Plus, you can easily toggle between the LA-2A and 1176 modes to find your perfect sound. 

Unison-Enabled for Realtime Recording on Apollo Interfaces

With an Apollo interface and Unison technology, the LA-6176 Signature Channel Strip makes you forget you’re recording through a plug-in. You'll get all the unique impedance, gain stage sweet spots, and circuit behaviors of an original 610 tube preamp. And when you add in two legendary compressors — it puts three of UA’s most famous analog circuits on a single Unison channel. 

Learn more about LA-6176 Signature Channel Strip.

Lexicon 224 Digital Reverb

An Era-Defining Digital Reverb

From the moment it was unleashed in 1978, the Lexicon 224 Digital Reverb — with its tactile, slider-based controller and famously lush reverb tail — single-handedly defined the sound of an entire era.

From Talking Heads' Remain In Light to U2's The Unforgettable Fire, the Lexicon 224 remains one of the most popular digital reverb units of all time. Now you can track and mix with this singular piece of audio history with the Lexicon 224 Reverb plug-in.

A Breakthrough in Emulation

Using the exact algorithms and control processor code from the original hardware, the Lexicon 224 plug-in precisely captures all eight legendary reverb programs and the chorus program — based on the Lexicon 224's final and hard-to-find firmware version 4.4. The Lexicon 224 plug-in also incorporates the original hardware’s input transformers and early AD/DA 12-bit gain stepping converters.

Easy Navigation

Every parameter from the original hardware is present in the Lexicon 224 plug-in, and exposed as dedicated sliders and buttons. Lexicon’s distinctive Bass/Mid “split decay” adjustments and Crossover control set the highly tunable reverb image, while the Treble Decay rolls off high frequencies. Use the Depth control to adjust the distance between source and reverb, while Predelay produces a short delay between the sound source and the onset of reverberation. Diffusion affects how quickly the echo density in the reverb builds up over time.

Modeled to the Last Detail

For total authenticity, the UA-exclusive System Noise control enables or disables the inherent dynamic system noise of the original Lexicon 224 hardware — removing the modeled gain stepping, parameter zippering, and quiescent noise. Clicking the “Open” text to the right of the display panel exposes several hidden controls, including Input/Output gain and Pitch Shift, and even a selectable “Bug Fix” mode which enables/disables historical bug fixes from the Hall B and Chorus programs. Taken together, the Lexicon 224 plug-in is the world’s most authentic model of a true studio classic.

Features

• Use any audio interface, with both UAD Native and Apollo Realtime/UAD-2 versions included
• Track and mix with the legendary Lexicon 224 Digital Reverb, using the same algorithms as the original hardware
• Employ eight classic reverb programs and one chorus program on drums, vocals, guitars, and more
• Use the Plate and Concert programs for vintage '80s sounds
• Mix with presets from famous Lexicon 224 users Chuck Zwicky (Prince), Kevin Killen (Peter Gabriel), and others

Learn more about Lexicon 224 Digital Reverb.

Ampex ATR-102 Mastering Tape Recorder

It's not a record until it's mastered on an Ampex tape machine

The Ampex ATR-102 UAD plug-in and LUNA Extension provides the final “analog glue” for your music, turning your recordings into records. 


The only emulation that’s fully authenticated by the Ampex Corporation, and trusted by producers and engineers the world over, the Ampex ATR-102 UAD plug-in puts the colorful saturation, warmth, and harmonics of this industry-standard tape machine at your command.

Features

• Mix and master your music with the most popular professional 2-track tape machine ever made
• Get classic Ampex tape saturation, selectable tape types, and color to "glue" your mix together
• Use the entire ATR-102 circuit, including its transformers, amplifiers, Repro, Sync, and Input paths
• With Auto-Gain, make adjustments to Repro/Record levels while maintaining perfect gain staging
• Enjoy enhanced retina GUI with interactive tape reels and controls true to the original hardware
• Use the ATR-102 LUNA Extension to produce with rich, analog tape sound right in LUNA’s mixer

Turn Your Recordings into Records

The Ampex ATR-102 Mastering Tape Recorder plug-in and LUNA Extension provides the final “analog glue” for your music. Fully authenticated by the Ampex Corporation, now you can get the same unique dynamics, frequency response, and saturation characteristics of the original mastering hardware, virtually indistinguishable from its analog ancestor.

Take a Deep Dive into Tape Tone

Discover vast reel-to-reel textures using three classic tape heads (¼”, ½”, and 1”), tape speeds and emphasis EQs, famous formulas (GP9, 456, 900, 250), and more. You can even fine-tune the machine’s calibration to open up some headroom, or get grittier tape compression and saturation. 

Explore a Vintage Machine for the Modern Age

Getting perfect gain staging on the Ampex ATR-102 requires meticulous calibration of the repro and record levels, a delicate art that demands precision. With Auto-Gain, you can make adjustments to either control while maintaining perfect gain staging. And with its retina-enhanced GUI, the ATR-102 is that beautifully vibey plug-in that you’ll want to leave on all the time. 

Transform Your Mixes in LUNA

Use the Ampex ATR‑102 LUNA Extension to transform LUNA’s mixer into an analog tape wonderland. Without having to manage separate plug-in windows, this gives you rich album‑ready Ampex tape textures with all the authentic dynamics, frequency response, and saturation of the original machine.

Find Your Sound Fast

Ignite your inspiration with presets from longtime ATR‑102 users Chuck Ainlay (Chris Botti, Mark Knopfler) Richard Dodd (Wilco, Robert Plant), Buddy Miller (Martina McBride, Emmylou Harris), Mike Poole (Keith Urban, Dolly Parton) and more. Use these presets as a starting point and season to taste on your mixes — you'll marvel at the cohesive, rich sound that can only come from an Ampex tape machine.

Learn more about Ampex ATR-102 Mastering Tape Recorder.

System Requirements

• macOS 10.15 Catalina, 11 Big Sur, 12 Monterey, 13 Ventura
• Windows 10 or Windows 11 (64-bit only Editions)
• Intel, AMD, or Apple silicon processor
• Internet connection to download software and authorize UADx plug-ins
• Free iLok account with iLok Cloud or iLok USB (2nd generation or higher)
• A physical iLok dongle is NOT required to activate this product

DAW Compatibility

• Pro Tools 2022 (AAX)
• Logic Pro (Audio Units)
• Ableton Live 11 (VST 3, Audio Units)
• Cubase 12 (VST 3)
• Studio One 5 (VST 3)
• LUNA Recording System

You can activate this software on an online system (using iLok Cloud) or an offline system (using an iLok USB):

1. Online: an active internet connection and a FREE iLok account are required to authorise UAD Plug-ins using iLok Cloud

2. Offline: you will need a physical iLok USB (2nd generation or higher) to authorise this software

Important note: UAD plugins do not work in Apple's Garageband DAW