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FabFilter Pro-R - "It's a really great take on space. I'm not even going to call it a reverb, it's a space plug-in."Rik Simpson. Producer/Engineer Coldplay.
FabFilter Pro-R - "I like the way the plug-in looks, the way it sounds... very very cool plug-in!"Liam Nolan. Engineer for Adele, Clean Bandit, Jess Glynne and more.
"If it's the unbeatable easy-to-handle FabFilter Pro-Q 2 or the filters Simplon and Volcano you can re-design sounds in such an easy way that I can't go without it."Eddie Thoneick. The German musical whirlwind that is Eddie Thoneick, has fast become one of the most exciting and in-demand acts in the world of dance music.
FabFilter is a name which carries a lot of weight in the sound design and engineering world. With a wealth of powerful plugins under their belt used by many of the top names in music production, their steadfast commitment to intuitive design and beautiful sound have inarguably set them apart for many from the seemingly endless field of plugin manufacturers in today's market.
If you're just starting your FabFilter journey, or have yet to get to grips with some of the company's more popular plugins, the Essentials Bundle is without a doubt the place to start. The Essentials Bundle, as you might expect, gets you full and unlimited access to FabFilter's most essential mixing tools: their professional EQ, Reverb and Compressor, all of which have been tried-and-tested the world over by millions of satisfied users, many of which have gone on to become vocal advocates of the brand's ability to boost productivity through superb sound quality and innovative, user-friendly interfaces.
Bring better sound and improved processing power to your studio today through your entryway into the world of FabFilter plugins: the Essentials Bundle!
FabFilter Pro-C 2
Professional compression for everyone
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
Features
- Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping
- Range setting, which limits the maximum applied gain change
- Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
- Mix setting, which scales the gain change from 0% to 200%
- Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
- Full-Screen mode, offering a large level display and side-chain EQ controller
- Program-dependent attack and release curves
- Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards
- Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processing
- Retina support on OS X and High DPI support on Windows
- Intelligent Auto Gain
- External side-chain triggering
- Hold (up to 500 ms)
- GPU-powered graphics acceleration
- Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
- Stereo and mono plug-ins available
- Auto Release
- Optional MIDI triggering
- Super-fast attack times
- Supports common Pro Tools hardware control surfaces
- Up to 4x oversampling
- MIDI Learn
- Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
- Undo/redo and A/B comparison
- Audition Triggering option, which enables users to hear which parts of the audio Pro-C 2 are triggering and how much compression is taking place
- Smart Parameter Interpolation
- Multiple interface sizes: Small, Medium and Large
- Sample-accurate automation of all parameters
- Extensive help file with interactive help hints
Learn more about FabFilter Pro-C 2.
Pro-Q 3
Highest possible sound quality, unrivalled interface workflow
An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.
Pro-Q 3 offers everything that a demanding engineer could wish for: top-quality linear phase operation in addition to the zero latency and unique Natural Phase modes, smooth dynamic EQ, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.
Features
- Highest possible sound quality
- Up to 24 EQ bands
- Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching, with optional external side chain triggering
- Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
- Ultra-steep 'Brickwall' slope setting for LP and HP filters
- Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection
- External spectrum visualization from any other Pro-Q 3 instance, including collision detection
- Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately
- Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
- Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
- Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
- Different interface sizes and additional Full Screen mode
- Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
- Universal filter slope support for all filter types, up to 96 dB/oct
- EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
- Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection
- Auto Gain and Gain Scale
- Optional piano roll display to quantize EQ frequencies to musical notes
- Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
- Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
- Phase Invert option to change polarity
- Large output level meter with peak level readout
- Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
- GPU-powered graphics acceleration
- Double-click text entry of parameter values
- Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)
- Supports common Pro Tools hardware control surfaces
- MIDI Learn with option to control the currently active band
- Undo/redo and A/B comparison
- Smart Parameter Interpolation
- Sample-accurate automation of all parameters
- Extensive help file with interactive help hints
Learn more about FabFilter Pro-Q 3.
Pro-R 2
Give your music some space
Pro-R 2 brings a raft of new next-gen features to what was already a widely respected reverb plug-in, including comprehensive multichannel compatibility, two brand-new reverb algorithms, IR import and replication, ducking and gating functions, analog-style saturation, and much more. It is a huge technological and functional leap forward for the plug-in, and one made without any compromise to the slick workflow and stellar sound quality that Pro-R users already know and love.
Features
- Versatile, user-friendly, and sonically superlative professional reverb with three core algorithms for simulating realistic physical spaces, retro digital hardware, and electromechanical plates
- Unified room model and decay time (Space) knob, facilitating smooth transitions between reverb sizes and styles, from tiny boxes to vast arenas and everything in between
- Innovative Decay Rate EQ for incredibly precise shaping of tail frequencies over time, and six-band Post EQ for output equalization
- NEW! Full immersive audio support up to 9.1.6 Dolby Atmos, with per-band Decay Rate and Post EQ channel routing, and a dedicated panel for balancing individual reverb parameter levels between the front and back of the image
- NEW! ‘Vintage’ reverb algorithm, replicating the sound and character of early digital reverbs
- NEW! ‘Plate’ reverb algorithm, replicating the sound and character of vintage plate reverbs
- NEW! IR import function (WAV and AIFF): algorithmically recreate and manipulate the sounds of favorite impulse responses within Pro-R 2
- NEW! Ducking control for effortless separation of dry and wet signals
- NEW! Thickness control for dialing in program-dependent density and saturation
- NEW! Intelligent Auto Gate
- NEW! Freeze button for endless playback of the captured reverb buffer at the point of activation
- NEW! Full-featured preset browser, with tags, favorites, search and filter functions, and new factory preset library
- NEW! Optional piano scale in the interactive reverb display for ‘musical’ EQ frequency referencing and snapping
- NEW! Output level meters
- IMPROVED! Increased Decay Rate range (25-400%)
- IMPROVED! Mid/Side option added to Post EQ
- IMPROVED! Speakers settings added to Decay Rate and Post EQ for channel selection in immersive channel layouts
- IMPROVED! Predelay knob moved to top section
System Requirements
Windows:
- 64-bit: Windows 10, 8, 7 or Vista
- 32-bit: Windows 10, 8, 7, Vista or XP
- VST 2/3 host or Pro Tools
macOS:
- macOS 10.13 or higher (64-bit only)
- AU or VST 2/3 host or Pro Tools
- Intel or Apple Silicon processor
Plugin Formats:
All FabFilter plug-ins are available in VST, VST3, Audio Units, AAX Native and AudioSuite formats.
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