- hot!
- award
- top rated
Detail | Clarity | Density | Loudness
INTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone.
The key INTENSITY features at a glance:
- Mastering-grade processing for more detail, clarity, density and loudness.
- Intuitive and fast workflow using a streamlined set of controls.
- Proprietary INTENSITY circuit with optional frequency-dependent BIAS function.
- Additional precision soft-knee saturating limiter at the output stage.
Think "Compressor"
So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob.
Or Actually, do NOT Think "Compressor"
Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type.
That said, the compressor analogy does serve to give you an idea of when to use it and what for.
Across the Board
INTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects.
Fast, Faster, INTENSITY
This plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this:
- Insert plugin
- Adjust INTENSITY amount
- Enjoy the result.
In some cases, you may additionally:
- Adjust BIAS Amount and/or Curve
- Switch LEVEL COMPENSATION off
- Activate the saturation.
...that is literally it.
TL;DR – Summarize that in Plain English, Please.
OK, we'll drop the geek.
It's a high-tech thing that makes everything sound way more awesome.
Which is why we call it The AWESOME!-Knob in our offices.
Put it on everything, all of the time.
Be careful, it's highly addictive.
Plain enough? :-)
INTENSITY
At the heart of the plugin lies its namesake, the INTENSITY circuit. A combination of advanced neural network based analysis and proprietary input and output transforms is used to separate the signal into broad strokes and detail features. By boosting the details while leaving the broad strokes in place, the sound's unique characteristics are amplified, masking effects mitigated, details carved out, the density and perceived loudness increased. Sounds high tech? That's because it IS.
BIAS
In most cases, the INTENSITY trackball is all you'll need to use to get a great sound. But the processing amount can be controlled frequency dependently, too, using the BIAS function.
Preset BIAS Curves
INTENSITY features ten preset bias curves, including two equal loudness curves, a presence boost curve, linear tilt curves, and more. Curves are selected using our proprietary Visual Menu widget, which allows you to preview a setting simply by hovering your mouse over it.
Custom BIAS Curve
Or simply create your own. Supported by multiple macro functions, finding just the right curve is a snap.
SATURATE
On top of the high-tech INTENSITY circuit, there's also a slightly more traditional, but nonetheless state-of-the-art soft-knee saturating limiter that can optionally be switched into the output stage. From subtle glue to in-your-face-ness to Yeah-I-Just-Got-Three-dB-of-Loudness-For-Free in mastering to straight-up overdrive, the SATURATE circuit delivers a beautifully warm, meaty tone...and can drive the loudness into La-La-Land.
System Requirements
Mac
- macOS 10.15.x or newer, 64 bit
- Apple Silicon CPU, or Intel CPU with at least 2 Cores (i7 or better recommended)
- Apple AU (AudioUnits), Steinberg VST 2.4, VST 3 or Avid AAX Native compatible host software, processing audio as 32 bit float
Windows
- Windows 10 or newer
- Intel CPU with at least 2 Cores; i7 or better recommended
- Steinberg VST 2.4, VST 3 or Avid AAX compatible 64-bit host software, processing audio as 32 bit float
Important Notes:
- An iLok account or iLok 2/3-based activation is required in order to register this product
- An internet connection is required for software activation
Copy Protection
Zynaptiq products use the latest PACE copy protection, which allows you to place your activation on your machine or on an iLok 2* (not included). You will need a free iLok.com account to use our software, even for the demos - but you do not necessarily need the iLok 2 dongle if your machine has internet access (activation of a system without internet connectivity requires an iLok 2 device). All required software is installed along with our plugins, but we generally recommend downloading the latest versions directly from iLok.com.
Please Note: The older, first-generation iLok is not supported!
CPU Load
While they are highly optimized, Zynaptiq plugins use a LOT of CPU due to the complex nature of the magic they perform. Please use the free trial to evaluate whether your system has sufficient resources to utilize the software effectively!
Zynaptiq recommends setting your playback buffer size to at least 512 or ideally 1024 samples for optimum performance.
As Zynaptiq plugins sport unique features not found in any other software, Zynaptiq highly recommends reading the User Manuals to ensure that you get the most out of them!
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.
Awards
Product Reviews
Zynaptiq Intensity Review at MusicTech
Adding Some Colour To The Mix If you’re in need of a helping hand with your mastering, Zynaptiq may have just the plug-in to add some colour. Dave...