- hot!
- top rated
"It's a new flavour I haven’t gotten with anything else."Michael Bouska. Film Scoring & Mixer | Christophe Beck, Robert Duncan, Fil Eisler.
"I've been playing about with it on reverb/delay sends and getting some really cool results compared to my usual 'dirty verb' tricks."Venus Theory. YouTube channel host/producer.
"This is not only the best sounding saturator, but it's also the most complete and practical plugin ever."Nico Astegiano. YouTube channel host/producer.
God Mode
Let There Be Distortion
The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. Its node EQ graph and linear phase filters allow for unlimited options to shape the colouration of your sound.
The God Mode makes use of a push-pull technology inspired by the legendary analogue Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. God Mode introduces a modern version of this technique.
The first step to using God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can, for example, use one shelf to boost the highs and one peak to boost a certain colour or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of colouration and the option to create a perfectly balanced frequency response for your track. The result: a beautifully saturated signal, specifically coloured according to the frequencies ‘pushed’.
The God Mode doesn't stop there though. It has a ‘live’ mode for recording, that uses regular filters without latency instead of linear phase filters. It has a side-chain to create rhythmic distortion effects, and you can pan the wet and dry sound individually. In addition, one of the three drive effects uses a ‘on steroids’ version of the Tape Analog VM™ algorithm from the Bad Tape. It allows for subtle saturation on the master as well as crazy over the top distortion effects on bass, vocals and synths.
Features
- Super easy to use Graph
- Unique Push & Pull technology
- Tape Analog VM™ algorithm on steroids also featured in denise' Bad Tape plugin
- Linear Phase Filters: Pristine sound quality and in-phase dry/wet mixing
- Individual dry/wet panning
- Live recording Mode
- Create rhythmical drive with the ‘side-tape’ side chain
- Subtle to extreme use on single track instruments, busses & mastering
System Requirements
Mac
- OS X 10.7 or newer (64-bit only) (Apple Silicon Native)
- VST, VST3, AU, AAX (64-bit only)
PC
- Windows 7 and higher (64-bit only)
- VST, VST3, AAX
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.
