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Vintage Room & Echo
About the TD-201 Vintage Tape Echo Plug-In
The TD-201 vintage tape echo plug-in brings the unmistakable sound of the most beloved tape delay unit into the 21st century. This highly customizable piece of studio history effortlessly switches between old-school ping pong to a deep space odyssey, and everything in between - itâs all youâve ever wanted from a tape delay!
About the RO-SPR Vintage Spring Reverb Plug-In
The RO-SPR is an authentically modeled vintage spring reverb that adds character and just the right amount of psychedelic flair to your productions. It offers 6 different spring types, bass cut, a three-band EQ, as well as spring length and mode control, for the ultimate customizable reverb unit.
About the RO-GOLD Vintage Plate Reverb Plug-In
Based on the physical model of a million dollar gold-plate, the RO-GOLD offers a wonderful mellow plate-sound experience that will give you richness and density, while maintaining the clarity of an original plate reverb.
About the RO-140 Vintage Plate Reverb Plug-In
The best of a vintage classic for ultimate reverb authenticity. -- Modeled on THE classic with 6 different materials, the RO-140 offers a virtually infinite amount of customisation options for limitless creativity, while delivering in our signature vintage style.
RO-140
Vintage Plate Reverb
The RO-140 was faithfully modelled after its legendary hardware counterparts, while still remaining a Black Rooster Audio original plug-in at its core. Its plate simulation approach allows users to authentically capture an analogue unit's sound and feel as closely as possible while still including some unexpected twists - just as you'd expect from any kick-ass Black Rooster Audio plug-in.
Achieving the perfect amount and type of reverb for your tracks can make - or break - your mix. Producers now have the ability to mimic any space in their mixes by using this effect, tricking the ear and simulating everything from grandiose width to cosy intimacy. Today's music production uses reverb processors extensively and with ease, but it hasn't always been this way.
Engineers have experimented with foil and metal plates to reproduce costly reverb rooms since the 50s, and while the result sounded good, this technique proved to be time-consuming, expensive and unpredictable. Nevertheless, plate reverberation was extensively used across many 50s and 60s hit songs.
A plate reverbâs original purpose was to emulate reverberant rooms, but the hardware versions that followed have become legends themselves.
The difference between a classic vintage piece of hardware such as the EMT 140 and most modern, purely impulse response based plug-ins is very apparent to any good ear. This is why Black Rooster Audio has physically modelled not one, but six plate reverbs to create the RO-140 - offering maximum authenticity as well as a few unexpected twists.
This versatile plate reverb plug-in allows you to take your productions to the next level by uncovering a new level of detailed audio customization. Not only does it capture the sound of sought-after hardware classics, but it also allows you to create your own sound, with a virtually infinite amount of combinations between plate materials and plate sizes, dampening and pre-delay controls.
Learn more about RO-140.
RO-GOLD
Vintage Gold-Plate Reverb
The RO-GOLD was faithfully modeled after an iconic hardware classic, and upgraded with a 24k gold plate, for the most luxurious vintage reverberation experience.
Black Rooster Audio's plate simulation approach allows us to authentically capture the analog unit's sound and feel as closely as possible while still including a few unexpected twists - all in the beautifully designed, easy-to-use package that is the RO-GOLD.
Engineers have experimented with foil and metal plates to reproduce expensive reverb rooms since the 50s. However, installing and controlling a real metal plate reverb has never been easily attainable, nor has it been readily available to every producer or small studio - especially when it comes to real gold plates.
As it often happens, this type of hardware remained exclusive to a select few elite studios for a long time. Nevertheless, plate reverberation is audible in many 50s and 60s hit songs, where engineers extensively used this technique.
Not only does the RO-GOLD bring you the sound of these sought-after hardware classics, but it also captures the true tone of a solid gold plate, which would cost millions to recreate in real life. This 24k gem allows you to set up your own retro room sound, that is both warm and mellow. With only a few, simple-to-use parameters, it has never been easier to achieve an authentic vintage reverb sound.
Learn more about RO-GOLD.
RO-SPR
Vintage Spring Reverb
The RO-SPR is an authentically modeled vintage spring reverb that adds character and just the right amount of psychedelic flair to your productions. Experience the iconic sound of Hendrix & co. with its 6 spring types, a three-band EQ, as well as spring length and mode control.
A Sonic Revolution
It was the year 1939, when Laurens Hammond applied for the first patent of an innovative, synthetic reverberation unit, that was about to revolutionize the sound of recorded music. With a simple transducer at one end of a metal spring, and a pickup at the other.
Mr. Hammond further implemented his idea of a mechanical, spring-based hall processor, that found its way into the legendary Hammond organs (from 1960), as well as into standalone hardware units like the Accusonics Type 4 SR. Leo Fender made the concept famous, with his introduction of the 1963 Fender Vibroverb.
The Spring Reverb is one of the most used hardware reverbs in studio history, but unlike bulky plate reverbs that could easily cost thousands of dollars, and weighed around 600 pounds each, most spring reverbs are more space- and cost-efficient.
Soundwise, spring reverbs are often described as being âbouncyâ or âringyâ, due to their mechanical layout, which tends to be low-end heavy. The spectrum used to be corrected by an EQ to maintain a natural room feel - yet many mix engineers used that exact low-end boost to add to their guitar, vocal, or synth tone. This sound design trick, combined with the renowned characteristics of a spring can be heard across many hit records - from The Doors to Queens Of The Stone Age.
The RO-SPR will throw you back in time with its very unique collection of classic spring types, while adding modern-day features to tailor each section precisely to your needs.
Add that vintage spring sound to your guitar, bass, vocal, drum, brass or synth tracks, or try it on any bus or mix channel. The result is a familiar, yet mysteriously mechanical roomy reverb that youâll love!
Learn more about RO-SPR.
TD-201
Vintage Tape Echo
The TD-201 vintage tape echo plug-in brings the unmistakable sound of the classic analog delay into the 21st century. This intuitive unit offers a wide variety of detailed parameters, making it highly customizable yet simple to operate.
As a part of the 1950s revolution in music production, musicians, producers, and engineers were busy creating the foundation of the modern-day workflow, introducing countless technical innovations - from guitar amps to electric organs, as well as an incredible amount of studio effects. This period also marked the birth of electric reverberation & delay units.
Early-day tape delays such as the Echoplex or Copicat - the first attempts at echo generators - have a history of being technically unreliable and prone to damage when transported, yet their sound was so captivating that further attempts inevitably ensued.
It was in the late 1960s when Japanese engineer Ikutaro Kakehashi and Hammond started experimenting with multi-head tape echos. One of these featured a free-floating 1â4-inch tape & spring reverb housed in a rock-solid tape chamber, ready for touring and more stable and reliable than anything on the market at the time.
The Roland Space Echo RE-201 became a best-seller for the brand. It further evolved into a range of delay effects that are still extensively used in music productions and in sound design today. The famous delay sound has stayed consistent ever since the RE-201 was born.
For many tape delay aficionados, there is nothing like the sound of a legendary vintage unit. Still, many struggle with their unpredictability, not to mention that they can be time-consuming to use and difficult to access. This is why they have created the TD-201 - a highly customizable in-the-box tape delay that offers all of the vintage character of the classics, as well as countless customization options for maximum usability.
Learn more about TD-201.
Features
Authentic Circuit Emulation
Black Rooster Audio's real time SPICE type component based circuit simulation approach allows to authentically capture the sound and feel of the analog counterpart in all nuances. All crucial parts of the original circuits including audio transformers, tube stages or passive filter networks have been faithfully modeled.
SSE2 Optimized Code
DSP operations are pipelined using the SSE2 instruction set. This ensures the highest possible performance operation despite very complex computations.
Auto-Adjusted Oversampling for Maximum Audio Transparency
Aliasing artifacts are efficiently attenuated using a low latency linear phase Dolph-Chebyshev poly-phase design. The oversampling is auto-adjusted to your sessionâs sample rate to save valuable CPU power while offering the most transparent sound possible.
HighDPIÂ / Retina Support
All their plug-Ins support high pixel density on Mac OSX and Windows to bring you the most enjoyable user experience on high DPI displays. Please refer to your manual to find whether your DAW is HighDPI capable if youâre working on Windows.
System Requirements
Mac
- Mac OSX 10.9 or newer (M1/M2 supported)
- Intel Core CPU or Apple SIlicon M1/M2 Processor
- 1GB of RAM
- VST, AU or AAX compatible host (64bit)
- Display resolution of 1280x1024 pixels or more
PC
- Windows 7 or newer
- SSE2 compatible processor (Intel Core CPU recommended)
- 1GB of RAM
- VST or AAX compatible host
- Display resolution of 1280x1024 pixels or more
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