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"The huge reverb would lend itself perfectly to cavernous echoes on dubstep snares, for example. More subtle settings sound exceptional on soft pad sounds, classic deep house Rhodes chords and even on percussion parts."Attack Magazine. Attack is an electronic music magazine dedicated to impartial, independent insight, news and reviews on technology, technique and creativity.
"It breaks away from the plate-room-hall-chamber paradigm and brings a single algorithm geared towards making reverbs as big as the cosmos... Blackhole is simply a joy to use."Gearspace.com. The world's best pro audio and music production community & discussion forum.
"Incredibly rich sound which makes it the perfect tool for creating big movie-style effects, and crazy warped sounds out of run-of-the-mill sources."Computer Music. The world’s best selling magazine dedicated solely to making music with your Mac or PC.
Extraterrestrial Reverb
Most reverbs are earth-bound and constrained by the physics of the real world. Our Blackhole reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.
From the Extreme to the Sublime
While it’s true Blackhole is capable of creating space-warping special effects and drones, it’s also capable of creating musical and subtle effects you’ll find useful for highlighting key instruments or painting a backdrop for your mix. Whether you're at the event horizon or closer to home, Blackhole will inspire and amaze while its intuitive controls will allow you to add that special something to your tracks without a degree in rocket science.
In short, Blackhole is destined to be one of those tools that you turn to time and again when reality just isn't enough.
The Secret Weapon
This famed, massive reverberator first saw the light of day as an algorithm in our rackmount DSP4000 and remained a favorite in the rackmount H8000FW. For decades studio engineers considered Blackhole their "secret weapon." More recently, it was ported to our Space stompbox and became the go-to ambient effect for guitar and keyboard layers. With each new version the reverb has been refined and enhanced.
We’ve now perfected the galactic sounds of the Blackhole reverb in native plug-in form. With the Blackhole plug-in, any instrument in your DAW can warp acoustic space and time.
Features
- Incredibly easy to use with over 50 presets; many created by Eventide artists
- Ability to create extremely musical effects useful for highlighting key instruments
- Supernatural settings for abstract spatial effects and drones
- Subtle settings for ambient washes and track higlighting
- Unique “Gravity” control reverses the arrow of time by inverting the reverb's decay
- Kill Switch mutes the input so you only hear the reverb. This makes for some incredible effects when automated
- Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
- Fully flexible mono and stereo options. Bring new realms of stereo imaging to mono instruments
- Innovative Ribbon and Hot Switch allow for changing any combination of parameters simultaneously
- Full support for the Native Instruments NKS Effects system.
Presets Make it Easy
Blackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Included with Blackhole is a carefully curated set of 50 presets that serve as a launch pad for your explorations. These presets cover spaces as small as a room and as large as space itself.
Blackhole Plug-in Presets
Factory Presets
- Biggest Reverb Ever
- Dreamscape
- Drum Filter Toolbox
- H8000 Blackhole
- Quasar Trails
- Spaghettification
From Space Pedal
- Blackhole
- Darkmatter
- Nebula
- Neutrino
- Pulsar
Artist Presets
Flood & Alan Moulder
- Fishhole
John Agnello
- Hey Honey
Jonsi & Alex from Sigur Ros
- Sigur Ros
Vernon Reid
- Dogstar
- Transfigured
- Vortex
- Centaurus
- Starcrater
Richard Devine
- Train Tracks
- Artic
- Automate
- Boxed In
- CargoShip
- Cathedral
- Circular Hall
- CombChamber
- Complete Drone
- DarkenHall
- DecayDrop
- Distantz
- Dome Ceilings
- Double Tap
- Drum Ringer
- EchoVerb
- Jumble Snares
- Metalizer
- MoveMeDelay
- Oil Drum
- Plexor
- PongSpace
- RacketDelay
- Reflex Tile
- Ring Decay
- Slushy
- Spectral Mesh
- Spiral Verb
- Stairway Delay
- Varse
- VoraxDecay
System Requirements
Windows
- Windows 10 and later (Windows 11 supported) (64-bit only)
- AAX, VST2, VST3
Mac
- macOS 10.14 and later (Intel / Apple Silicon supported) (64-bit only)
- AAX, AU, VST2, VST3
Important Notes:
- Eventide tests their desktop plugins in Ableton Live, Cubase, FL Studio, Logic Pro, Pro Tools, and Studio One (However, their plugins should work with any compatible host.)
- No iLok dongle is required to run this software - only a FREE iLok account/Manager is required for authorisation.
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.
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