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Sick 2 was designed with horror sound design in mind. This library is a one stop shop for eerie and disturbing paranormal sound-design, including subterranean clanks, booms, thuds, cracks, drags, stomps, steps, creaks and thumps in the darkness; demonic creature howls, moans, breaths and growls; hellish and twisted soundscapes, pads, drones and ambiences; and a variety of terrifyingly vivid EVP recordings (some of them quite real). To capture the raw materials for this sonic descent, Soundiron explored the bowels of an abandoned Civil War/World War I-era naval artillery bunker (mind you, not the same bunker that they visited in Rust II - I guess you could say they love some abandoned bunkers.) and a World War II/Cold War-era decommissioned warship. All in all, you get over 200 Grade-A production-quality horror sound effects and sound beds.
The Kontakt interface includes a suite of automation-ready sound-shaping controls to give you total creative flexibility. You have control over swell, attack, release, offset, vibrato, filter, pitch (coarse & fine), articulation switching, cross-fading and layering, and so much more. Soundiron also included 20 unique sound-designed custom FX presets to give you lots of creative options. This library comes with an adaptable LFO system, with selectable LFO shape, modulation target parameter, speed, intensity, tempo-syncing and fade-in time. You can also apply your choice of 12 lowpass, high-pass and FX filters, with assignable modulation targets such as velocity, modwheel, expression, after-touch, key position and step-sequencer table control. Soundirons' customizable arpeggiator offers a velocity table and control over arp direction, timing, swing, randomization and duration. They've included a key and scale lock system to constrain your notes to common scales and keys for easy melodic composition and live performance.
The interface is rounded-out by their modular FX rack panel, with 18 different DSP effect modules that you can assign in any of 10 available slots, in any order that you wish. You’ll find classic phaser, flanger, delay, distortion, amp and cab simulators, compressors, EQ, rotator and so much more. The Reverb effect includes Soundirons’ favorite convolution reverb impulse responses, including 99 different rooms, halls, chambers and outdoor environments, plus another 40 custom FX impulses to radically transform the sound and open up whole new worlds of musical possibility. Soundiron have added a great bank of FX rack chain factory presets to get you started!
Features
- One master NKI instrument bank in open Kontakt format
- Bunker and Ship taps, stomps, footsteps, impacts, electronic voice phenomena, SFX
- 21 Ambience patches created from the source content
- 24 bit / 48 kHz uncompressed PCM wav samples
- 20 Custom Sound-Designed FX and Ambient presets
- 391 stereo samples
- 671 MB Installed
- Flexible and intuitive multi-layer user interface controls, with LFO, filter, glide, and arpeggiator
- Full FX rack with convolution reverb with custom rooms, halls, chambers & FX environments
System Requirements
- Windows 7 or higher.
- Mac OSX 10.9 or higher.
- Dual-Core CPU, 2 GB System RAM, SATA or SSD hard drive recommended for this library.
Important Notes:
- The Full version of Native Instruments Kontakt 5.5 or above is required to run this software.
- This software will not function in full within the FREE Kontakt Player engine and will only be available in DEMO mode.
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.