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"Parallels is my kind of software: it has a sleek and easy to understand design which makes it accessible for beginners and advanced users alike."BoBeats. Synth educator and YouTuber.
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"In a sea of same-same and sound-alike soft-synths, Softube is harnessing the power of what’s currently possible and making a unique, beguiling and beautiful-sounding new instrument."BT a.k.a. Brian Transeau. American music producer, composer, technologist, audio technician, multi-instrumentalist.
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"Parallels is awesome! It's a very powerful and creative synth with endless possibilities."Jacob & Victor Andersson a.k.a. ManyFew. Swedish DJ/producer duo.
Dual-source Dream-synth.
- An inspiring, special ocasions synth, perfect for modern scoring and soundscaping.
- Almost a hundred high-quality multi-waveforms and five phenomenal Softube effects.
- Hundreds of expertly-created presets from world-leading synth artists, engineers, and sound-designers, including Brian Transeau a.k.a. BT, Richard Devine, Inhalt, and more.
- Modular Ready: works as a native instrument plug-in and as modules in Modular, Softube's Eurorack platform.
In Stockholm, Sweden, there’s a synth emporium like no other – a store with such vibrancy, such range, such colour, that you’d need a dozen eyes and ears to take it all in. And the guy who runs it is no ordinary guy. He’s special, in all the best ways. His imagination fizzes and crackles with delight at the sounds of a million billion sparkling circuit boards.
Out of this hotbed, this toy-box, this fantasy-factory, Parallels was born; an instrument with not one but two sound sources, each running painstakingly recorded and exquisitely calibrated multi-waveforms from every dream-machine must-have synth you could ever want, and sculpting the resulting sounds with the highest-quality Softube filters, modulators, and effects. If you’re looking for inspiration and sheer sound-quality in your music, this is your golden ticket.
There are many possible approaches to take in creating a brand new instrument. Parallels focuses on two main things. First, it should always sound fantastic, with a minimum of fuss. And second, it should inspire the artist with elegant workflow, superb layout and visual feedback, and a sense of endless possibility.
A huge part of the first point is taken care of by the source material. Almost a hundred high-quality pre-recorded multi-waveforms live at the heart of Parallels. These come from classic synths, digital and analogue, hard-wired and modular, FM and phys mod, and from environmental and combined sources too. Even some super-rare and unreleased pieces are represented.
Each waveform has a progression of some kind in its 15-second duration – a filter sweep, or a pitch diffusion for example – and playback can start from any point of the artist’s choosing, providing almost infinite sounds-per-sound, even at the source. The playback method can be described as wavescanning, with pre-calibrated loop lengths per source for the best possible sonic outcome. The artist can choose how far the playhead will move through the source scene, and at what rate, before returning to its start point and settling into its sustain loop. All this with up to fourteen voices at once.
Even just one of these source sections would be an intriguing instrument on its own. Parallels has two; independent and blendable in parallel; and much more besides.
Each source can pass through its own shaper section, for example, with a choice of three analogue-modelled filter types; a state-variable filter (low, high, or band-pass), a vactrol-style low pass gate, or a triad of resonant peaks.
And what about the four ‘mod pods’ on the left! Each one can be filled by one of five modulator types (LFO, random, Euclidian sequencer, step sequencer, or envelope) and can modulate almost any parameter in the instrument, even pairing up to co-modulate single parameters in a blend amount selected by the artist. Apart from being utterly beautiful, the five modulation source options are versatile and intuitive, bringing all sorts of possibilities to the rest of the instrument.
Perhaps best of all; the effects. Softube’s track record for rich, living effects in software is well-established. Many synthesizer effects are an afterthought. Ours have been our very essence for more than a decade. Parallels features five three-knob effects in sequence; individually adjustable, modulatable, and bypassable. A hot and hairy distortion precedes a chewy, tasty chorus. Then a flanger with stereo spread built into its feedback control. Finally delay, and a succulent purpose-built algorithmic reverb to kiss the output signal goodbye.
Parallels is a software instrument like no other; a beautiful, intuitive, single-page interface concealing a wealth of treasures within. Created by dreamers, controlled by you.
Features
- A plug-in soft-synth with dual wavescanning source sections
- Almost a hundred high-quality pre-recorded multi-waveforms
- Sonic progression within each waveform means near-infinite source-material
- Two parallel sources means blended sounds, opening up exponentially more possibilities
- Up to fourteen voices (seven per source when both sources are active)
- Hundreds of expertly-created presets from world-leading synth artists, engineers, and sound designers, including Brian Transeau a.k.a. BT, Richard Devine, Inhalt, and more.
- Three analogue-modelled filter types (state-variable, vactrol LPG, and resonant peaks)
- Five sophisticated types of modulation source; LFO, random, Euclidian sequencer, step sequencer, and envelope
- Five top-quality effects options; distortion, chorus, flanger, delay, and reverb
- Inspirational, creative, and beautiful
- Crucially, it always sounds amazing
System Requirements
- macOS Big Sur 11, Monterey 12, Ventura 13
- Windows 10 (64-bit), Windows 11
- Softube account
- iLok account
- Computer with AU, VST, VST3, and/or AAX-compatible DAW host software
- Internet access (for downloading installers and managing licenses)
Supported CPU Families
- Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Apple silicon is supported natively.
- Windows computers with quad-core Intel Core i3/i5/i7 or AMD quad-core processors with SSE 4.2 support.
- Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions.
Supported Host Software (DAW)
Any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. However, due to plug-in host differences between DAWs—and our rigorous standards—Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Ableton Live, Studio One, and Reaper. Softube plug-ins are not tested regularly in non-listed systems. They will likely work if the system requirements are met. However, the manufacturer cannot guarantee a solution for issues in unsupported systems.
Softube strongly recommend using VST3, as some of their plug-ins have features that are not present in the older VST format. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. The most recent maintenance release of your DAW application is recommended. AAX DSP is not currently in active development. TDM/VENUE/RTAS are no longer supported. See Legacy Installers.
Important Note: Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.