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Sonokinetic grew up with soundtracks like “Alien” by Jerry Goldsmith and Bernard Herrmann’s “Psycho”. Reaching to more recent composers, Michael Giacchino (Star Trek) and John Debney (Predators) were an inspiration. It triggered a deep longing for Sonokinetic to create a tool series for scoring films in a way that just hadn’t been done before. Tutti opens a new world of rich cinematic orchestral sound and offers you a broad range of unique sounds with a character that is unmatched in richness and quality. What Sonokinetic did was create sections with full orchestral cues spanning 4 to 8 bars. Each cue was recorded in a staggering 5 positions and each of these positions is 100% available for editing in the effective Sonokinetic user interface.
This library includes full orchestral samples like long and short tension builders, sustained patterns, highly detailed textures in multiple styles and complexities, full orchestral hits and big smashes, chord bending, glissandi and crescendi. Each cue has been recorded in multiple takes and a selection of the best takes is available in this sample collection, providing the composer with a tool that has so much variety and editing possibilities inside that no sample from this collection will ever sound the same, thus preventing over-usage or the feel of recognition. A little tweaking in mic positions, or choosing a different take of a particular cue will result in a different-sounding musical FX or phrase.
Something Sonokinetic is very proud to announce is the technical achievement to provide you with access to the uniquely created “Tutti” score by implementing it in the user interface. This will give you a straight gaze into the heart of this collection. It provides you with the extra option to select a particular sound or FX you are looking for by viewing its content, progression, dynamics, length and speed.
“Tutti” was recorded using a highly established and experienced cinematic symphonic orchestra with the best musicians, conductor, technicians and composers. Sonokinetic chose to include all orchestral sections, piano and celesta. Stopping their musician counter at 98.
Each cue was recorded in ‘tutti’ formation and Sonokinetic believes the best way to do this was with a live performance. With this came the incredible-sounding hall that “Tutti” was recorded in. With a very warm, detailed and wide acoustic fingerprint, this collection bears its own cine-score realism in space and sound. Though by providing different technical options for mic positioning, stereo imaging and volume control each sound quality can be adjusted and edited to fit your specific need to blend these samples with your composition.
Features
17 Kontakt Instrument Patches including:
- Tutti Big Smash
- Cluster Textures
- Reverse
- Glissandi
- Hits Long Textures
- Random Bending
- Tension Builders
Sampled Instruments:
- 52 Strings Players
- 12 Woodwinds Players
- Percussion (Piano & Celesta included)
- 11 Brass Players
System Requirements
- Compatible with the FREE Kontakt Player and FULL version of Kontakt (5.1 and later) / Komplete Kontrol (1.5 and later)
- macOS 10.10 and higher
- Windows 7 and higher
- 44.1 kHz - 24-bit AIF Format
- 7.3 GB Uncompressed
- Royalty and copyright-free content license
Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.